
The English story is constituted and defined by its own meta-narrative - which is most commonly expressed in the national and anthems of England.
This story tells of England, the divinely appointed vicegerent who is allotted as the steward on this globe of freedom and right, of morals and justice. Not only is this the "White Man's burden", it is every decent Englishman's burden - to bring "civilisation to the uncivilised"; to resist the tyranny of European tyrants, whether it be 1940, 1805, 1588, or 60AD; to set men free and stave off the encroaches of popery; to challenge the ugly power off rule at home (1215, 1641, 1688), and give power to those who don't have it (begrudgingly in 1830 and 1833). This is the story of Magna Carta, the Glorious Revolution, the Armada, Waterloo, the Charist movement and so much more. This is a land of hope and glory, where the people shall never be slaves, and the King, crowned as Solomon to the splendour of Handel, shall be sent victorious and reign happy and glorious over his new Israel.
This is the English story, well, at least what we've been told for the past three centuries. This next series of posts will analyse how famous English Hymns and Anthems were written as an embodiment of this story. Until then, ponder these words:
- When Britain first at Heav'n's command
- Arose from out the azure main;
- Arose, arose from out the azure main;
- This was the charter, the charter of the land,
- And guardian angels sang this strain:
- Rule, Britannia! Britannia, rule the waves!
- Britons never, never, never will be slaves!
- Rule, Britannia! Britannia, rule the waves!
- Britons never, never, never will be slaves!